Kinox maleficent

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kinox maleficent

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Maleficent — Die Aura Kingdom Kotonoha Aura Kingdom: Otherworldly Envoys by Ryuzuki98 reviews The players of a popular game have been thrusted in a new reality and are faced with its endless wonders and dangers.

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Palace Guard uncredited Scott Bradley Stefan's General uncredited Sophie-Anna Brough Courtier uncredited Alfred Camp King Henry's General uncredited Max Cavenham Young Man uncredited Nick Donald Stefan's Guard uncredited Terri Douglas Court Jester uncredited Josh Dyer Dancer uncredited Sandy Fox Blue Suit Performer uncredited Sam Gibbons Soldier uncredited Alex Gillison King Henry's Solider uncredited Victoria Gugenheim Courtier uncredited Daniel Harland Courtier uncredited John Heartstone Stefan's Soldier uncredited Craig Izzard King Henry's Soldier uncredited Ceri Jerome Dancer uncredited Pax Jolie-Pitt Girl uncredited Lee Edward Jones Blue Suit Performer uncredited Hrvoje Klecz Courtier uncredited Alex Marek Servant uncredited Bruno Mello Palace Guard uncredited Karen Mkrtchyan Courtier uncredited Matthew John Morley King Stefan's Army uncredited Edd Osmond Blue Suit Performer uncredited Jo Osmond Blue Suit Performer uncredited Guy Potter Stefan's Page uncredited Marc Rolfe King Stefans Guard uncredited Peter Stacey Stefan Guard uncredited Leo Suter Young Man uncredited Tom Swacha Courtier uncredited Daniel Westwood Jolie Richard Glass Jolie James Kernot Jolie Julia Vernon Jolie Tom Edmondson Prop Modeller Tim Lewis Greens Robert Park Scenic painter Roland Stevenson Greensman uncredited Rut Villamagna Berry Melissa Best Technical Animator Sarah Canale Roto Artist: visual effects Abhishek Ghorui Light Stage Producer Kevin T.

Creature TD Aaron Kramer Headcam Supervisor Puneeth Kunnatha Data wrangler Somasundaram Lakshmanan Rotomation artist Hiroaki Muramoto He wrote pages, and I hired a first-time director, and it's good to have him on set.

Roth said: "The movie is gorgeous to look at, and the last 75 minutes are really entertaining. The issue was the opening, which was reshot over eight days.

As a previous production designer, Stromberg sought to balance the use of practical and computer-generated effects. For example, while Maleficent's horns and facial prosthetics were created by makeup artist Rick Baker , Digital Domain took facial capture of Imelda Staunton , Lesley Manville , and Juno Temple for the three pixies to be generated with high authenticity with the help of special rigging by Disney Research in Zurich.

James Newton Howard was hired to score the film in October The single was released on January 26 and was made available for free for a limited time through Google Play.

All music is composed by James Newton Howard tracks 1— The film was originally slated for a March release, before it was changed to July 2, On September 18, , the film's release date was bumped up from July 2, to May 30, due to Pixar 's The Good Dinosaur having production problems and delays.

On August 10, , as part of the live action motion picture panel of the Disney D23 Expo in the Anaheim Convention Center at Anaheim, California , Disney unveiled its first look of Maleficent by revealing the new logo of the film's title and one-minute clip from the film.

Angelina Jolie made a surprise visit to the expo and talked with the attendees about her fascination with Disney's Sleeping Beauty as a child, her working experience with the filmmakers on the film, and her love of Disney.

She also remarked on how she scared little girls when she was in costume, makeup, and acting during shooting; this led to the decision of hiring her own daughter, Vivienne Jolie-Pitt, for the role of the young Princess Aurora, since she would not be scared of her own mother during principal photography.

Walt Disney Pictures released the teaser poster for Maleficent on November 12, , featuring Jolie in costume and makeup, akin to the character's depiction in the original film.

A tie-in novel was published alongside the movie's release in , written by Elizabeth Rudnick. The novel elaborates on the movie, utilizing a brief prologue detailing Maleficent 's birth, early childhood and parentage.

The movie never fully elaborates on how the intense hatred amongst men and fairfolk during King Henry's reign came to be, a void the novel fills.

The novel also features some different versions of key moments in the film, for example, Stefan angrily smothers King Henry on his deathbed after he declares that he's still unfit to rule even after having brought Maleficent's severed wings to him.

Later, Stefan forges a Royal Proclamation declaring himself as the late monarch's chosen successor. Maleficent's encounter with the infant Princess Aurora in the forest also differs from the one in the film, since Aurora does feel afraid of Maleficent after she frightens her away.

Some of these ideas had originally been filmed but were either cut or altered during post-production while others may have been dramatic license on the part of the author.

Maleficent is the fourth-highest-grossing film, [72] and Angelina Jolie's highest-grossing live-action film. Dave Lewis, writing for HitFix , predicted that although Disney fairy tales and Angelina Jolie's performance might attract audiences, Maleficent would not gross even as much as Oz the Great and Powerful , explaining that the film was released on the same time frame with competitive releases like X-Men: Days of Future Past , Godzilla and A Million Ways to Die in the West , [75] even though it outperformed those films later on.

Boxoffice wrote that Maleficent had a successful marketing campaign, featured Jolie in the title role, and its "female-driven" themes and plot aimed at women.

However, the site also noted that the film would have to compete with other summer releases, and the character of Maleficent may not attract young children.

Cheat Sheet explained that the film approached to a more "grown-up" and "sinister" aspect of the classic, and targeted for an older audience like young adults.

Variety wrote that the film's opening weekend outperforming initial box-office projections was later attributed by analysts in part to Disney's successful marketing to the "potent demographic" female audiences much like the studio accomplished with Frozen , in which both films feature a strong female lead.

The website's critical consensus reads: "Angelina Jolie's magnetic performance outshines Maleficent ' s dazzling special effects; unfortunately, the movie around them fails to justify all that impressive effort.

The New York Times stated, "with two shorn wings and an astonishing maternal kiss, Maleficent demolishes stereotypes that were only tweaked in Frozen.

She concluded her review with "Long live the feminist revisionist backstory. But despite their bleeding-edge digital design, the backgrounds have all the depth of the old matte-painted backgrounds of the analog days," which made the film "[feel] classical in nature.

He also said that the film "is all about second thoughts", as Maleficent "spends much of the film as Aurora's conflicted fairy godmother.

Everyone else, even Aurora, fades in her presence. Jolie manages to steal her own show in most every scene.

Jolie is excellent as the hopeful fairy, enjoying the world she flies through. She is also brilliant as the Dark Lady, who could be a perfect counterpart to any Darth Vader, as she malevolently takes her revenge on those who have wronged her.

Ann Hornaday of The Washington Post awarded the film three-and-a-half out of four stars, commenting that "Still, for all its limitations, Maleficent manages to be improbably entertaining to watch, due solely to its title character.

Seitz also called the scene in which Maleficent discovers the loss of her wings "the most traumatizing image I've seen in a Hollywood fairy tale since the Christ-like sacrifice of Aslan in 's The Chronicles of Narnia: The Lion, the Witch and the Wardrobe.

Although Roeper praised the visuals, he criticized the acting and writing, stating that "the story itself might well put you into the same type of coma that befalls the heroine.

According to Morabito, " Maleficent lacks a single complex male character". Morabito also criticized the film for portraying Maleficent as a hero.

Mary Costa , who voiced Aurora in the animated motion picture , called the film, "a very good movie". She added that "the concept and perspective are totally different than the original film's, which makes it new and interesting.

Multiple reviewers and commentators have opined that an early scene in the movie, in which Stefan drugs Maleficent and removes her wings from her unconscious body, is a metaphor for rape.

Hayley Krischner of The Huffington Post interpreted the scene as an important reference to rape culture : "This is the horrific side of rape culture.

We're so enmeshed in it that it's impossible to ignore a metaphoric rape that occurs in a Disney movie". She went on to praise the film for giving a positive and hopeful message to rape victims, ultimately allowing "the woman to recover.

It gives her agency. It gives her power. It allows her to reclaim the story". However, Bartyzel went on to opine that the film portrayed Maleficent's actions as "a rape revenge fantasy " and criticized the film for not following through on its early subtext, ultimately calling it less feminist and reductive compared to its counterpart: "In Maleficent , Aurora is the product of a cold and loveless marriage and a vengeful, unhinged rapist.

Her safety relies on a trio of clueless and dangerously careless fairies, and her Godmother is the woman who cursed her—and who had, in turn, been violated by her own father".

Angelina Jolie addressed the issue during an interview with BBC Radio 4 on the Woman's Hour programme and claimed that the subtext was intentional: "The question was asked: 'What could make a woman become so dark and lose all sense of her maternity, her womanhood, and her softness?

We were very conscious, the writer and I, that [the scene] was a metaphor for rape". She further explained that the answer to the question "What could bring her back?

Jordan Shapiro of Forbes argued that the film's main subtext was the detrimental effects of ultimatums between capitalist and socialist societies.

He pointed out that the Moors represented a socialist, nature-oriented, democratic society while the human kingdom was one of capitalism, industry and absolute monarchy.

Shapiro further commented that the character of Stefan, his theft of the Moors' riches the jewel and his mutilation of Maleficent's wings for the sake of his ambition were references to the American Dream.

He conceived the wing-tearing scene as "a social commentary that any hierarchical rise to power inherently happens through the exploitation of others", explaining that it was the reason why "without her wings, Maleficent also becomes an oppressive ruler of the Moors.

Everything she represents, believes and stands for has been grounded", and "like most victims of oppression", "she takes it out on those who are smaller and weaker".

On June 3, , Angelina Jolie hinted about the possibility of a sequel. In January , it was reported that the sequel would start filming in spring , [] and that Patrick Tatopoulos has joined the crew as production designer.

On April 27, , it was reported that Michelle Pfeiffer was in advanced talks to play a queen in the sequel, while the script's most recent draft was written by Noah Harpster and Micah Fitzerman-Blue.

On May 23, , it was reported that David Gyasi has joined the cast in an unspecified role. Principal photography concluded on August 24, From Wikipedia, the free encyclopedia.

Theatrical release poster. Chris Lebenzon Richard Pearson. Walt Disney Pictures Roth Films. I was really moved by the script from first reading.

It was like uncovering a great mystery. We all know the story of Sleeping Beauty and we all know Maleficent and what happened at the christening because we've all grown up with that.

But what we've never known is, what happened before? Main article: Maleficent: Mistress of Evil. Retrieved December 6, May Feature Film Study.

Retrieved November 11, The Walt Disney Studios. Archived from the original PDF on June 8, Retrieved June 6, Ikon London Magazine.

May 10, Retrieved March 8, The Hollywood Reporter. Retrieved May 7, Retrieved June 19, May 30, Deadline Hollywood.

Retrieved May 30, Film Journal International. Archived from the original on June 2, Retrieved May 29, The Guardian.

Retrieved October 25, Archived from the original on May 18, The Movie Network. Archived from the original on June 10, Retrieved March 9, March 23, Archived from the original on July 26, January 6, Retrieved August 4, World Entertainment News Network.

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